Korg Legacy Collection Special Bundle – Released in 2004, KORG’s Legacy Collection was a breakthrough for programmers. With sound produced by authentic analog and digital circuit simulations of KORG’s legendary designers, the Legacy collection remains a bestseller to this day.
A monophonic analog synthesizer with patch capabilities sold in 1978: the MS-20. The perfection of the MS-20 is reproduced with two oscillators (which can be adjusted with a ring), high/low pass filters with unique distortion and a patch section with an external switchable signal processor. audio input.
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32 polyphonic voices and up to 16 unison voices (with detune/spread function) were added to the software. Flexible settings for external modulation and MIDI clock synchronization are also introduced, allowing for sound creation with a high degree of flexibility and freedom.
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Programmable 6-voice analog synthesizer released in 1981: Polysix. Everything from Polysix is fully reproduced: 1VCO (with micro-oscillator) /1VCF/1VCA/1EG configuration with selectable SAW/PW/PWM waveforms, chorus/phase/shaping effects and functions such as memory chord. , arpeggiator and unity.
The software provides multi-tone creation with enhancements such as 32 tones (maximum), up to 16 tones (with detune/spread), flexible external modulation settings, MIDI clock synchronization for modulator and rectifier and transmitter generators. function that adjusts the width of the effect.
A four-VCO mono/poly synth that went on sale in 1981 and was considered the pinnacle of Korg’s analog synth experience: the Mono/Poly.
All of Mono/Poly’s multi-color features are fully reproduced: its software design includes four VCOs, each providing adjustable pitch, waveform, octave and level, as well as one VCF, one VCA, two EGs and two MGs; Improved chord memory and Arpeggiator functions; and Synchro and Cross Modulation features that can create revolutionary tonal effects.
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Many improvements have been added to the software, such as 128 voices (maximum) and up to 16 voices, many integrated effects, an eight-way patch matrix. The Virtual Patch function allows you to use 159 different correction sources to correct 35 different areas. This Mono/Poly conversion allows for complex and varied sounds.
The first workstation synth released in 1988 that defined the sound of the late 80s and early 90s: the M1. With its innovative “workstation” concept, the M1 “AI” (Advanced Integrated) synthesis system used PCM signals and digital effects to create complete programs and mixed sounds. As a pioneer of the PCM tone generation, it was noted not only for its sonic authenticity, but also for its distinct appearance and tonal character, which demonstrated the high level of Korg audio technology. Many of the sounds available only from the M1, most famously the “M1 Piano” sound, were adopted by musicians and producers around the world and are still used today.
The software has a filter view, VDA modulation and master effects enabled for up to 18 systems. It provides all the PCM, program and mix data found in the original M1, as well as the internal PCM extension of the M1EX. as PCM data and program/mix data from all nineteen additional ROM cards. Additionally, with all 19 types of PCM ROM cards, the M1 features the M1EX sound that was released as an extension of the built-in PCM M1, as well as the T-series sounds that evolved from the M1. It has tons of sounds, including 33,000 preset sounds and 34 maps.
The WAVESTATION synthesizer appeared in 1990 with an “advanced vector synthesis system” that gave new sounds for mixing and switching between many complex waveforms.
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The user can operate the joystick to “mix” or “morph” between the four oscillators, or create a waveform by placing the waveforms in a specific order to create rhythmic or melodic patterns. In addition to these and other unique revolutionary features, the audio section is equipped with all WAVESTATION PCM components, and the parameters of the volatile section are completely generated in software by analyzing the circuit map of the original structure.
The software offers many preset programs and waveforms available on all models in the WAVESTATION, WAVESTATION EX, WAVESTATION A/D and WAVESTATION SR series. 7 kinds of PCM and software cards are equipped. In addition to a total of more than 1,500 preset sounds, a large number of PCM signals and signal sequences allow you to create more diverse sounds.
The MDE-X has 19 different effect programs carefully selected from KORG digital effects, including compressor, limiter, overdrive, equalizer (EQ), speech modulator, flanger, phaser, chorus, delay and reverb.
The plugin uses an effects algorithm derived from the high quality TRITON family of architects. Now you can use these effects that have defined the sound used in many of the program’s songs. In addition, with 128 effect programs, MDE-X can be used in a variety of applications such as sound design, live performance, and mixing sessions.
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Further development of expression. Collection – Prophecy version 1.5 is now available for new audio programs.
The Collection is a group of software architects painstakingly recreating the authentic sound and character of some of the most popular architects today and beyond. The synth block covers a wide spectrum of synthesis from early analog masterpieces like the MS-20 and Polysix to digital consoles like the M1 and TRITON workstations.
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2022 features three unique instruments loved by creators around the world: micro, the best-selling synth since 2002, offering the joy of fun performance and great analog sound; ELECTRIBE-R, the original ELECTRIBE that lets anyone create beats instantly, and KAOSS PAD, mirroring the KAOSS PAD effects processor that freely controls effects via an easy-to-use touchpad, now available in a powerful software format. Collection 4 is now available, featuring a huge selection of sounds and effects that mark each era.
First, let’s look at some iconic plug-ins for some of the best analog synthesizers, such as the mini 700S (1974), the first mass-produced analog synthesizer; MS-20 (1978), with a unique, distinctive, fat, viscous sound and flexible patches; Polysix (1981) with built-in effects unit; thick 4VCO Mono/Poly (1981), which can be used as monophonic and polyphonic, and the ARP ODYSSEY (1972), originally developed by the famous American company ARP.
When it comes to popular digital synthesizers, they don’t come much bigger than the M1 (1988), a multipurpose workstation that changed the musical landscape for musicians to become one of the most successful synthesizers of all time; TRITON (1999), which highlighted many sounds of the 20s; and the TRITON Extreme (2004), the pinnacle of the Triton series with a built-in vacuum tube for superior sound processing. The vast collection of sounds representing this era is rounded off by two iconic and unique digital collaborations: WAVESTATION (1990), a revolution in vector synthesis, and PROPHECY (1995), a pioneer of physical modeling synthesis.
To complete
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