What Mic Does Russ Use – “My mother called so much, I let her wait, we were on a boat / She always rewarded me, she gave me diamonds that I didn’t ask for”
Russ has shared a new song that pays tribute to his mother and gives advice to up-and-coming artists – listen to ‘Live From the Villa’ below.
What Mic Does Russ Use
The Atlanta rapper’s new single follows the release of his third studio album ‘Shake The Snow Globe’, which features the platinum-selling ‘Best On Earth’.
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Produced by Ilmind, ‘Live From The Villa’ hears Russ celebrate his mother and list the lessons he’s learned from her over the years.
And can you focus if your parents go through?/ And you try to attack to save them in the other room/ True will go’ let it out or let it out,
My mother cried a lot, I let her stay, we’re on the boat / She always gave me gifts, she gave me gems I didn’t ask for / As giving without remembering, receiving without forgetting / Taking weapons from you with your humor, use for your kindness as a weapon/ Everyone you meet is a blessing, not a lesson.
I see many doubts, many doubters, but I understand / know that you are all broken hearted dreamers,
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Feeling that there is not enough, that’s why you talk so much should be noted/instructions more important than speed.
In a four-star review, Will Lavin said of Russ’ new album: “On his latest project, ‘Shake the Snow Globe’, he earns his seat at the big boy table, sitting comfortably alongside the Drakes, J.Coles and the Kendrick Lamars of the world. That’s largely thanks to a new musical focus and content that’s always unique and entertaining.
“Consistent from start to finish, it’s a more complete work than 2018’s ‘Zoo’.” People always hate those who march to their own beat, and Russ knows this. But this didn’t stop him from asking for his compliments while he was alive (“I want roses when I’m alive, not just roses when I’m dead”). And, boy, did you get them with this album.” The rising Atlanta rapper shows off his R&B chops on a new love track, “Serious,” from his upcoming sophomore album, ‘Zoo.’
Atlanta MC Russ shows off his R&B chops on his new track, “Serious,” from his upcoming album, Zoo, out September 7.
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“It Matters” is a lover’s jam built around a mid-century urban garden and a delicate mix of piano and guitar. In the lyrics, Russ tries to show his commitment to what he loves, moving between the hook’s simple plea – “Baby take me seriously” – and cheeky punchlines like, “I’ve been thirsty since water broke you/I ‘ I’ve been thirsty ever since Tha Carter IV.”
“Serious” marks Russ’ second offering from Zoo, following “Flute Song,” which arrived earlier this month and was produced by Scott Storch. Zoo came a year after Russ’ debut album, There Really Was a Wolf, peaked at Number Seven on the Billboard album chart.
Russ will kick off the second leg of the “I See You Tour Part Two” October 19 in Wallingford, Connecticut. The tour ends on November 15 in Seattle, Washington.
Dave Bautista Calls Wonder ‘Cool’ To Play ‘Stupid’ Drax ‘Not Enjoying It’: ‘I Don’t Know If I Want Drax To Be My Legacy’ What’s your favorite microphone? We asked participants to share their thoughts. We’ll keep them to their mics, no fancy mic boxes! And the microphone model settings don’t allow it, after all, that doesn’t really make it an option. The work was both interesting and varied. Have you used any of these and what would you choose from this collection or your own?
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The UM70 is a vintage multi-diaphragm microphone from Microtech Geffel, a company with an interesting shared history with Neumann built through World War II and the Cold War.
The UM70 is highly regarded by people in the know and given its relative obscurity compared to vintage Neumanns, if you find a good one it’s likely a bargain. Old gear is often not as simple as new gear and there are different versions of the UM70. This ‘s’ version operates at a higher voltage than its predecessors for better sensitivity and lower noise. There is a modern, unmodified version of the UMT70 if you want to check out a new option.
“I’m lucky that I always get to work in studios with big microphone collections and I’m not limited to the students I have. But in my home studio (where, let’s face it, almost all of us work much more these days) my ‘go to’ mic for anything and everything is the Microtech-Gefell UM70s. The original UM70 was one of the ones we bought to make Joan Osborne’s Relish album, (I used UM70s and M71s throughout that record) and is one of those students that I can use to happy about almost anything and everything And I always do! I’ll always bring it to sessions in other studios because it’s my favorite guitar mic, no matter what else is available. It’s also great on toms and has ended up being the vocal mic of choice more often than I can remember. All in all a great speaker. “
The MC740 was released in the late 80’s and has since been replaced by the MC840. It is a very powerful diaphragm amplifier with a high frequency response, a wide range of + 5dB from 6-8KHz rising to + 8dB at 10KHz. It sounds like a lot but considering how common such normalized responses are in condensers it probably has more to do with how the mic picks up that top end than the amount of top it picks up. The microphone itself is a respectable performer for a brand that doesn’t make many condensers, better known for its capabilities.
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“My overall favorite microphone is the Beyerdynamic MC740. It is a large diaphragm condenser with reversible polar pattern, high pass filter and pad. Its response is smooth but with a peak presence that sounds great, when recording speech or sounds! The high pass filter can be switched between linear (off), 80Hz and 160Hz and the cap is 10dB. I have used the MC740 for years and it has stood the test of time, compared to other mics in my collection. In terms of sound descriptions or detail, I find that recordings made with this microphone require little or no EQ. It has a decent signal to noise ratio and is solidly built. “
This is an outdoor item as it is a handmade microphone. We’ll leave it to Steve to give his opinion:
“I know we’re all expected to be gear heads, but I have to disappoint you. I choose gear based on what works for me, and I’m not hung up on pedigree or “vintage”. That doesn’t mean I don’t appreciate the magic of classic gear. I don’t let it get in the way of doing things with the gear at hand. That said, these microphones will make many engineers swoon. One of them is the venerable AKG C12. Now, I don’t have a classic (nee vintage) C12, but what I do have is a clone that was hand built and then tuned by a mic tech in Nashville named Shannon Rhoades. The modification was done to add some 251/U47 vibrations to the C12 sound. It is slightly scooped with a shiny top … but not to midriff. He really is a unicorn of a microphone. I have named this microphone “The Rhoades”. This is easily my favorite microphone in the locker. It has everything you need from a tube microphone, a solid base with a smooth midrange & a small vent on top. It sounds really big and has an immediate “3-D” look, whatever you’re referring to, source brightness is a satisfying method. Like the “real” C12, the polar pattern on the power supply is chosen from 9 options from omni, through cardioid to figure-of-8. He’s had no cycle recently while I’m working with a bit of noise and we’re back in use, which makes me happy. I laugh when I hear a voice or an acoustic guitar through this microphone. It is a thing of beauty. “
The 4033 was introduced in 1991, and is a clean and flawless large diaphragm mic that offers quality well below the competition of the time. It sounds great too. As a passive microphone it has low noise, can handle loud sources, making it popular on drums, and has a nice top end that makes it a great performer on acoustic materials. The 4050 is still a very good microphone. Still current – £339
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I was working in a music store on the South Coast in the middle of setting up my first studio project (well, yeah, a spare room setup
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